SketchBook Pro: Wile E Coyote Cartoon Study

Drawing Wile E Coyote as practice for using SketchBook Pro. I screwed up the inking, but I'm starting to feel better about drawing straight to the computer. I give myself an F for screwing up this picture though.

a Girl in the Clouds

Tried to practice some cloud painting with this one. I'm actually quite happy with how they turned out.

At first I was trying to do a Jamie Hewlett style character (I know - a lot of people knock off his style), but it inadvertantly ended up looking less like that. I think it's mainly because of my colour pallet and thicker inking.

I'm also getting into the habit of overusing this stock expression. Oh well - at least it's not "tude". At least I don't think it is. Crap - now that I look at it, maybe it is...

Chinese Class Doodles

This is about the extent of my Chinese speaking ability.

Instead of a man on the moon, the chinese have a rabbit on the moon.

Illustration Method (in 10 steps)

Some people in class asked me how I did my illustrations. My method isn't exactly rocket surgery, and is actually pretty methodical. To whom it may concern, this is pretty much the method I used for every page (although time spent on some pages was more than others).



Step 1: First off was just drawing the bulk of the picture with good ol' paper and pencil. I tend to draw pictures like this with a pacer, which every art teacher I've ever had hates. Hmmm... I just like having a sharp lead for hatching, and forever sharpening a regular pencil wears them down too fast.
Normally if I had time I'd use ink at this point, but there wasn't really time for this project. This alone took anywhere from 4-6 hours
Step 2: Once the picture is scanned into the 'puter, it's just adjustment of white and black levels, and deleting anything that's not the drawing (in photoshop).

Step 3: next, I just duplicate the layer and Gaussian blur it to get some smoother shadow tone.

Step 4: Multiply the blurred layer over the top of the pencil lines.

Step 5: Draw in the pure black that was used in varying ways throughout the book. In this case it was the ground, and a couple of spirally background "trees".

Step 6: digitally paint in the characters' colour. I'm not much of a matte painter, and kind of average with colour as I've said before, so with these pictures I'm relying kind of heavily on my pencil lines. I did some mild dodging and burning on the colour, mainly to just enhance the pencil shading.

Step 7: Most of the colour were just multiply layers on top of the pencil image. The girl's skin was a color layer, as it gave it more of a glow. At this point I burn some of the outer pencil lines to mimic a poor man's "inking".

Step 8: Paint in the backgrounds. This part was what I found looked the most "photoshoppy" in some images. Makes some of the pictures look like desktop backgrounds.

Step 9: Paint in background details, such as clouds. This was about the extent of my matte painting technique.

Step 10: Add some overlapping foreground clouds and some dark green under the character. These are the "grounding" details, which makes the foreground, midground and background all look part of the same image - rather than a bunch of layers on top of each other. This was definitely done better in some images than others.

And then, 8-12 hours later you have your illustration ready for your Indesign layout - not including the 30 - infinite or so hours you will spend nit picking over tiny imperfections.

My Picture Book Pages (with a bit o' complaining)

Heads up - I've been staring at these images for a long time, so I'm at that stage where I see nothing but problems. Hence, there may be some whinging in this post (plus I'm writing this at about 2 in the morning).

I meant to do more "work in progress" posts, but instead I just went ahead and churned out the entire book as fast as I could. These are the pages as they currently stand (in reverse order of creation). Some images I'm more happy with than others, but... deadline, time limit, 4 weeks, blah blah blah... - they ended up this quality. I'll try to live with it.
Not sure what to put on the back cover so this could definitely be subject to change.

I'm really not happy at how "photoshoppy" some of these pictures look. It's due to the fast noobish digital painting I did. Slightly above MS paint.

Personally I like my drawings to be "cleaner" than this. Normally I'd use ink for outlines and such, but instead I just had to do the quick poor man's version of burning the outer pencil lines in photoshop. Some people may find the scratchy pencil lines "charming", but I think it looks more like a drawing mistake than an intentional style choice.

smoke is a bit dodge...

At this earlier stage I was spending a bit more time on the backgrounds.

This picture of the girl is the one I like the most. I think it's because I did it before I felt like I had to rush each image.

I imagine the cuckoo as some sort of cross between road-runner and Spawn.

These pictures do make nice thumbnails, though.

What can be draw in a 1 hour lecture - again.

Tried to draw bugs in the more classic Clampett style, rather than the more contemporary Chuck Jones style he's usually drawn in these days. It is a lot tougher than you'd think.

More Tex Avery characeters.

Starting a Kid's Book

Now that I've started illustrating the kid's book, I realise how tough it'll be getting all the pages done by the deadline. I would've liked to spend some time experimenting with different drawing styles, but I think I'll just have to use a drawing method that I'm used to, so I can turn out pictures more quickly.

The book is basically about a cuckoo bird that kidnaps a little girl for a bunch of evil faeries, and she then turns into a cat. (That one sentence synopsis probably doesn't do it much justice). It's a rhyming story, so it has set stanzas for each page. For better or worse that means less time spent on text layout. It also has a "gothic" vibe as it's a bit like a Grimm fairytale.
Anyway, first off I have a bunch of rough concepts (no time to clean them up) of the various characters I need. I decided to use the style of drawing I used for Monkey Girl.

Cuckoo bird

This girl's design is a pretty stock "cute" design. I used the same structure for monkey girl, and my anime attempt. (I like to steer clear of anime style, but so many people draw that way, it's starting to subliminally influence me)

The idea behind this cat was a bit of a combo of the cat from Bob the Builder and the one from Kiki's Delivery Service (anime again dammit). Hey, I'm not too proud to say where I steal ideas from (better I point it out than some smug fanboy).


(this faerie character I came up with seems really familiar. I think I've ripped something off without realising it. If anyone thinks these look like something that already exists please tell me)

Usually I'd spend more time fine tuning characters - but not much time. This probably means that the characters will go a bit off model in the book itself. It also means that the ideas I steal influences I use will be more obvious. Hopefully it won't be too noticeable.

More Caricatures

I'm a bit obsessed with Julia Gillard's head shape (even before she became our beloved leader). I've tried to avoid looking at other people's caricatures of her. That tends to corrupt how you draw someone, and you just end up doing caricatures of caricatures. So far I'm picking pretty easy targets for these pictures.

Casual Caricaturing

Thought I'd practice some caricaturing. I really need to improve in this area.

What Can Be Drawn in a 1 Hour Lecture

Okay - technically one and a half. And I wasn't bludging - I just didn't need to take notes in this subject.